Motherly Love Essays -- essays research papers

Motherly Love   Ã‚  Ã‚  Ã‚  Ã‚  In the three stories we read by Flannery O’Connor; â€Å"The Comforts of Home†, â€Å"Everything That Rises Must Converge†, and â€Å"The Enduring Chill†, the major relationship portrayed was between mothers and their hypersensitive sons. While all of the major characters, the sons, were noticeably similar, the lesser characters of the mothers were also very alike in many ways. Many of their views, gestures and outward qualities paralleled throughout the stories. After rereading all of the stories again I came to the realization that the mothers O’Connor wrote in her stories were variations of the same person.   Ã‚  Ã‚  Ã‚  Ã‚  One of the qualities that jump out first is that all three mothers are incredibly proud of their sons, even if they have no reason to be. Julian’s mother loves to tell people how her â€Å"son finished college last year. He wants to write but he’s selling typewriters until he gets started† (10). She does not care that he has not truly written anything, but that he has graduated college and that he is trying to get his life on track. She is constantly reminding him that â€Å"Rome wasn’t built in a day† (11), and she truly believes this about her son; that eventually he will go places with his writing. Mrs. Fox, Asbury’s mother, while not particularly glad that he is a writer, is proud that he is an artist and has every faith that her son â€Å"might be writing a long book† (90). While not as vocal about how she is proud of her son, she is happy that he is doing what he wants; writing. Thomas’ mother was often found boasting about her son to Star Drake. In the two’s first meeting, Thomas’ mother tells Star that â€Å"Thomas writes history†¦ He’s the president of the local Historical Society this year† (123). This statement alone proves that she is impressed by what her son does and what he has become in his life, otherwise I doubt his mother would have mentioned it. A lot of the pride these mothers have in their son’s may be due to the fact that, except in the case of Asbury, they are only children to single mothers. Since they are all portrayed as older women, of course they will have pride in what their sons do, since they have little in their lives to boast about. Yet, it seems to me that these mothers feel their sons can do no wrong in life, which may be a cause of why their sons tend to walk all over them. &nb... ...l are single and assumed to be widowed. O’Connor uses the blue eyes to further connect these background characters who have more in common then what initially meets the eye.   Ã‚  Ã‚  Ã‚  Ã‚  In the three stories by Flannery O’Connor that we read for class, the mothers played more important roles then initially thought. They help to shape the story and their sons. Each of them has their own individual qualities, but is very similar to the others. They are all proud of their sons and their achievements, even though these boys feel that they are lacking in one-way or another, are very innocent in all that they do and think, and have many similar outward qualities. These factors put together lead me to believe that O’Connor had the same person in mind when writing each of these stories. Maybe she used different aspects of the same person, but it would be hard for me to believe that more then one person was in mind when writing these stories. The same innocent, heart-driven, blue-eyed mother was depicted in all three stories, just in slightly different situations. In summary, O’Connor had the same person in mind when writing about the mother in all three of these stories.

Analyze the different techniques used in the openings of Sommersby and Of Mice and Men films

Creating a successful film often lies in creating a successful opening. By using different camera angles and lighting styles, as well as music techniques the director can set the scene and alter the mood in any way he wants. Here I am going to analyze the different techniques used in the openings of both films as they progress. Credits Somersby starts with an air of mystery to it. We are shown this perspective by the lighting styles and camera angles that used. The camera shots show close-ups of firstly a man who we assumed is dead then of another man who's face is shrouded in a shadow of which enables hardly any of his face to be seen at all. This enables as to question his identity an also question the relationship of him and the other man. The music is also suitably grim but is of fairly poor standard, however the music does suggest the time period as the music is slightly patriotic. In the next scene the music fades and we get another close up of the mans face and hands. The hands are shown as they have importance as it is clearly shown they are covered in blood which when linked with the previous scene allows the viewer to jump to a rough conclusion to what has happened. The music is cut to show us that this is a seriousness of the scene. The close up scene soon fades we are taken to the credits, which are played over scenes of this man traveling through different climates, the variety in the climates shows us that he is traveling of long distances. This also asks us the question was is he going and why is he going. The camera still has not shown us a clear image of this mans face, which still gives us an impression of mystery to the character and also shows us that the character is probably deliberately trying to conceal his identity. The camera also pauses at the point when the man passes what looks like a group of soldiers. This emphasizes there is some important connection between the character we have been shown and these soldiers which helps us as viewers to try and fill important gaps in the profile of this character. In direct contrast ‘Of Mice and Men' is played out in a completely different style. The credits are immediately at the beginning and there are no scenes played underneath it only a blank background. Similar to Somersby however, is the music. Whilst ‘Of Mice and Men' music is of a higher standard it sets the scene for the movie. The music is very sad and solemn which can immediately tell us that this film is not going to be a happy film . As the credits continue further we get sound effects that immediately tell us roughly where this scene is set. The noise happens to be of a train so immediately us as viewers are told a) the scene is on a train and b) the characters in the film may be traveling. The camera pans in showing us light coming through gaps in the carriages, this captures the same dark atmosphere as shown in the opening of Somersby but through a different technique. To add to this gloomy effect the music fades so that only the sound effects can be heard. The director has done this to such an effect that it sort of brings us into the movie and lets us feel the cold, dark, and harsh sounds that anyone would be hearing at that time. This brings user involvement into the film and is also relevant in the next few seconds in experiencing the thoughts of the characters. As the credits start to fad the music starts up again and the camera pauses in front of an outline of a figure. The lighting here is used in the same effect as ‘Somersby' were it does not reveal the character but allows us instead to ask questions about the character instead, for instance why is he traveling on this train and why is he lurking in the shadows. And this effect is obviously used in the same context in ‘Somersby' when we see him with the body for the first time. The music then changes dramatically and immediately the credit scene ends and the movie moves on. This effect of the music changing dramatically also highlights the point that the movie is continuing along a different path as apposed to the music in ‘Somersby' that tends to stay constant throughout the opening. It also gives the effect that this maybe a flash back due to the sudden changes in scene and location. Opening In ‘Somersby' continues on to a new location. The location is obviously vastly different so we can say that the character may have traveled a great distance. The music is still shown as grim and adds tension and emotion to the scene. The scene focuses on the firstly a close-up of the hand being wrapped in a handkerchief. The angle is displayed as a first person view so as to give us a better perspective of the characters feelings, and the obvious close-up of the wrapping of the handkerchief shows us there is some relevance in the scene. We are then shown a third person shot of him taken the coat of he has been hidden under, which shows us that firstly he feels ready to reveal himself and secondly that he had a uniform on showing a connection between him and the soldiers. We are then shown the first full picture of him. The music is now suitably brighter to obviously help lighten the characters mood. We are then taken to his first meeting with another character. The music fades to suggest that this maybe quite an important part of plot development. We are also shown the main character through the other characters eyes to show that at that point the concentration of that character would have been minimal. As the scene carries on the music changes to being much more confident which shows us that the tense atmosphere at the beginning of the scene has faded. Of Mice and Men' once again changes to a different style. The music firstly has become more frantic and the scene first shows a women running. At this point she has no part in the story yet the camera follows her so that we know that it must link to the plot somehow. We are then shown to characters running away from the camera. Immediately this tells that because the woman was running toward the camer a they are running away from each other. This type of camera work is not used at all in ‘Somersby' as it tries to capture a different mood. However as the chase scene ends the same first person view as shown in Somersby is implemented to give us a clearer impression of the characters thoughts feelings at this time. To conclude it is obvious that both films implement similar styles however to get the correct mood they want they have often altered techniques to suit that scene creating the same sort of mood but in different ways. This kind of variation adds variety to the film and makes it much more enjoyable to watch.

Analysis Of Huxley s Brave New World - 1326 Words

Rejoining Society In Huxley’s Brave New World, after struggling to fit into New London, John runs away to live in the lighthouse in isolation. In Boyle’s Trainspotting, Mark fights his heroin addiction in order to break free from drugs and his friend group to rejoin society along with the duffel bag. The lighthouse in Brave New World and the duffel bag in Trainspotting, suggest that after one is isolated from a society, he can only rejoin that society by being willing to conform to its values. At the end of Trainspotting, Mark and his group of friends have sold drugs to a dealer in return for 16,000 pounds. The money, kept in a duffel bag, is to be split between the group. Before the rest of the friend group wakes up, Mark steals the†¦show more content†¦Contrary to Mark, John is not willing to change himself at all. In fact, John is upset that New London won t change to closer to his views. John not being willing to change leads to him not being able to stay in New London and to his craving for isolation. Mark, being fed up with his friends and the impact heroin has had on them, decides it’s time to leave them for a better life. As he leaves Begbie and Sickboy in his apartment, the only thing he takes with him is he duffel bag. Mark is desperately trying to escape the heroin filled world he has lived in. Mark leaves without packing anything from his apartment. Mark only grabbing his duffel bag indicates how urgent Mark feels about moving on. Mark’s hatred of his life pushes him to rejoin society just like John’s hatred of society pushes him to wanting isolation. After speaking to the Controller, John realized he had to get away from New London, saying â€Å"I’m damned if I’ll go on being experimented with. Not for all the Controllers in the world. I shall go away to-morrow...Anywhere. I don t care. So long as I can be alone† (Huxley 243). John feels so strongly against what the Controller is doing and the way New London operates that he has to leave. John has no desires to change himself to fit in better or to be more like the rest of the people in the society. John doesn’t want to be â€Å"experimented with†; he doesn’t even see the people in New London as free people. John has to get out of New LondonShow MoreRelatedAnalysis Of Aldous Huxley s Brave New World Essay986 Words   |  4 PagesMatlen EWRC Period: 1 December 7, 2016 Class Struggle In his text Brave New World Aldous Huxley imagines a society genetically engineered and socially conditioned to be a fully functioning society where everyone appears to be truly happy. This society is created with each person being assigned a social status from birth, much like caste system in modern society or the social or the social strata applied to everyday society. 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